Attention

Attention is contagious. I am more likely to pay attention to things you pay attention to. And so we have the power to affect what other people pay attention to, whether they agree or disagree with us.

This simple truth has helped me figure out my love/hate relationship with social media. I love directing people’s attention to nature – mostly I focus on the visual beauty with photography. But I also love the sounds of wind in the leaves and the birds singing. The smells of walking through wet autumn leaves or of pushing through a fir thicket. I love the feeling of the wind, sun, and rain. Social media lets me share bits of this. But at the same time as it lets me share, it takes the attention for itself. It is mixed in with a long feed of thousands of other companies and people all trying to get your attention, and all decided by algorithms that are designed to keep you engaged (often by infuriating you). It becomes a tool of advertising. It becomes a business opportunity for a multi-billion dollar corporation. It changes a wholesome thing into a competition – a measuring stick of your value against the value of others. It becomes a tiny bit of data on how long it grabs your attention so that they can get more effective at keeping your attention in the future. It takes an honest communication between people and shortens it, cheapens it, twists it just a tiny bit. It changes the context of an interaction, and context matters.

And so what is my response? Do I disengage? Delete my accounts? I often disappear from social media for months at a time. That is definitely not good for business, but it is good for my soul. But I often find myself coming back, because I like being able to draw people’s attention to nature. And I like the people I have connected with on these platforms. But I hate the platforms. So this is not a goodbye to social media, and it is also not a promise to keep posting. It is just a promise to try to engage with people honestly and deeply, when I can and in ways I am able to. And this rarely happens online for me.

One response is to guide trips in the wilderness. Being physically in a place surrounded by nature requires sustained attention and rewards it.

As a photographer, a self-serving response is physical prints. I recently installed a set of prints in a house and I got the rare (for me) chance to see my work in the context it will be. A physical print stays there. You can’t scroll to the next image. The place and the light keeps you company in the morning when you have coffee, and is still with you in the evening at supper. It becomes familiar and comforting. You actually have time to develop a response to an image and have coherent thoughts about that response.

So I want to draw your attention to nature. But I also want to draw your attention to yourself and your relationship with it, and that takes more time and attention than social media is willing to give you.

I’ve been reading “How to do Nothing” by Jenny Odell, which is fantastic and is prompting many thoughts, including this post.

Instagram

I’m not great at keeping up with social media, but I was recently convinced to start putting up photos on Instagram. If you’d like to see my photos fairly regularly, you can follow me https://www.instagram.com/joelkoopphoto/. I’m going for a photo every day – not quite succeeding so far, but getting close. However, there will be a two to three week break soon when I’ll be up north without a cell signal. I’ll keep the details under wraps for now, but I’m pretty excited to be able to share some photos with you when I get back!

Ski Touring Introduction

Molar Meadows Ski Touring

This winter I got my first taste of ski touring and backcountry winter camping! Besides the blisters from borrowed boots, it was incredible and I look forward to many more trips. This trip I fell a lot, so not a whole lot of picture taking happened. I promise I’ll get better at skiing and deliver more photos in the future.

Taken in Molar Meadows, Banff
23mm, f7.1, 1/1000 of a second

Surface Hoar Frost

Hexagonal Hoar Frost on Snow

At just the right temperature and humidity levels, frost will form in hexagonal towers. Here’s a more descriptive photo of what this looks like (click on the photo for a larger version). These towers were about 1cm tall.

Hoar frost is a beautiful phenomenon that can cause problems if you’re in the mountains in winter. The hoar frost forms on the snow, and when fresh snow falls on top of it, it forms a weak layer in the snowpack. This can make avalanches a lot more likely.

Taken in Yosemite National Park.

Photo Class on Saturday

I’m making some final tweaks to the slides for the class on Saturday, and I thought I’d take a break to put up a photo and let you know about the Draw for Free Stuff. You’ll get entered if you share the post on facebook, like the St Albert Photo Classes page, or blog about it and post the link there.

So like or share this: St Albert Photo Classes Facebook Page and you could win an 8×10 print or a pendant!

Also, if you want to learn all about photography and how to use your camera (it must have interchangeable lenses for this class) sign up at http://stalbertphotoclasses.com.

The photo is from Jasper. 300mm, f5.6, 1/125 of a second on a tripod.

Split

From a recent trip to Jasper.

300mm, 1/2000 of a second, f5.6

Trio In Ice



On my latest trip to the Rockies, Eric and I found some pretty great ice. This is where we found it — under snow.


Ice may not have the same movement as water, but it still causes the light to dance.

Icicles Forming – Low Key Nature Photography

A couple weeks ago I posted a shot of icicles forming against the sky – it was a pretty high key shot (composed mostly of light tones). This last week I went back to the same place and caught the same scene from a different angle with very different lighting. Instead of the icicles being backlit by a bright sky, they were front-lit with a dark overhang behind them. With this contrast in lighting it was fairly easy to get lots of detail in the ice while completely getting rid of the small amount of ambient light behind the waterfall.

300mm, f5.6, 1/800 of a second

Shaped By a Glacier

The ridge around those spruce trees is called a “lateral moraine” and was left behind by the Athabasca Glacier as it receded. I took this photo at the Columbia Ice Fields on a dark and cloudy day. I get the sense that this moraine is protecting the trees — like they’re sitting safe in their own fortress. And then I notice the mountain behind, which, by it’s comparative mass, renders the trees and moraine almost insignificant.

If you’re not interested in lenses, feel free to ignore the next bit. The photo is taken with the Panasonic 100-300 lens on my Olympus OM-D. When I got this lens, I was worried about it not being very sharp. I have looked up many reviews, but a lot of the photos in the reviews had shutter speeds under 1/1000 of a second with image stabilization turned on. It seems to me that this comments on the effectiveness of the IS, but says nothing about how sharp the lens is. Even using the lens on a tripod I find to be questionable because the center of balance is far infront of the tripod. So I ordered a lens collar with a tripod foot from Rudolf Rösch Feinmechanik. It didn’t get here in time for my trip to the mountains, so I don’t have a definitive review on the sharpness of the lens, but my initial impressions are that, while not being razor sharp, it is fairly good. The lens collar itself is beautiful — I’m thoroughly impressed. I will be using it a lot in the next while, and I’ll report back on its effectiveness.

1/4000 of a second, f7.1, 140mm