Considering Composition

Composition and inspiration are, in my opinion, the core of art photography. Working part time in a camera store, it is easy to get caught up in technical details and gear wankery. Which is important, but art gets left behind because it is harder to talk about, and doesn’t put money in company’s pockets. But I’d like to talk about composition.

I’m posting two photos today. They were taken just a few minutes apart and they have similar lighting, similar composition, similar subject. In both I used the classic triangle composition (this is something I’m only half conscious of when I’m taking photos) – one with positive space (seems to come forward), one with negative (seems to recede). In a triangle composition there’s a broad base at the bottom coming to a point at the top of the frame.

The top photo was taken first, and when I downloaded the photos it was also the first to jump out at me. I really liked it. Over the last few weeks, my opinion has been shifting. I’ve gained some distance from the memory of taking these photos, and now I’m thinking the second is better. It has a clearer composition with the high contrast edges of the rock and the log, and it has contrast between two sides of the triangle – the log gives a curvy organic line to contrast with the sharp jagged line of the rocks. Both lead the eye to a focal point – the leaf and the stump in the water on the first one, and the log at the top in the second.

In the end I’m sure it’s subjective. Some people will like one better, and some people the other. But it’s fascinating to me, in something as abstract as a nature photo, how much of a consensus there can be on good or bad photos.


Dinosaur Provincial Park Covered in Snow

Dinosaur Provincial Park is a great place to check out, especially in winter. I went there in the middle of December a couple years ago. After a cold night sleeping in my car, a friendly snowplow driver cleared the way for me. I got there before sunrise and the whole area had just been covered in a fresh dusting of snow the night before. I was the only person there, although there were new cat tracks everywhere. It was a great day! Then on the way home my transmission blew. There’s always something…


Normally I’m not a fan of weird crops and panos. Too often the composition becomes more about the crop than the contents interacting with the frame. Sometimes it’s just that too wide of a lens was used and a boring foreground and sky have to be cropped out. But every once in a while an image benefits from a different crop.

Yeah, this is supposed to be pic of the day, but sometimes I just can’t resist the allure of multiple pictures.

My Camera History as a Function of Dust

As I mentioned the other day, I got an easy introduction to digital SLRs with my Olympus. For years I heard of the dust-spot problem, but I didn’t worry about it – I didn’t need to.

One fateful day, in search of improved image quality, I upgraded my camera. I got a beautiful, used Nikon D200 and was in love – for a while. I started seeing spots in my images, but they didn’t bother me too much. I could clone them out in Lightroom quite easily. As the months wore on more and more spots appeared. Okay. Time for the dreaded sensor cleaning. I made a few half-hearted attempts with sensor-cleaning kits, but they didn’t seem to do much. It got to the point where my photos were unusable. I was missing my Olympus. So I switched back.

With the new Olympus, all was well for a while. My dust problems were a faint memory. I was content. And then, I started talking with a stock agency. They liked my photos, but the image quality was a problem. Olympus didn’t make anything with better image quality. Time for an upgrade. But (for all you thinking of making a living off it), nature photography doesn’t pay very well. So I went in search of cheap image quality, and ended up with a used Canon 5D. Yup, an old camera with no dust shaker and more sensor to get dirty. But this time I was determined. When dust became an issue, I swabbed, I wiped, I brushed, and I did it all very well. I used any and every commercial solution available to me. And they all failed horribly. Dust was driving me mad. It was time for the crazy. I tried a vacuum (with some distance – static electricity is dangerous to sensors) and I tried some homemade swabs. No luck.

It turns out my solution was Scotch Tape. I have read numerous times how tape will ruin sensors – this may be true. I tested it out on other glass surfaces to make sure no residue remained (I’ve read that’s the main concern with tape). I tried it when all hope was lost and I was thinking of giving up on the Canon but short on funds for another camera switch.

Now I’m gloriously dust free, and enjoying my 5D more than ever (besides still being nervous in the rain).

(I do not recommend that you try this on your sensor. In fact anyone with half a legal mind will tell you not to come within 10 feet of your sensor because you might ruin it.)

My 5D after many attempts at sensor cleaning. No, those are not birds or bugs.


My 5D after scotch tape. Exactly the same develop settings in Lightroom. Similar aperture.

Jungle Swamps and Weathersealed Cameras

My first digital SLR was an Olympus E1. That was a beautiful camera. Fairly small and light, incredibly durable. It was old already when I got it, but the completely weathersealed system and amazing lenses lured me in. And it let me get shots like this. I couldn’t do this with my 5D. This is from a 10 hour hike through rain, drizzle, and clouds in the cloud forests of Dominica. There was an inch of water in the bottom of my camera bag. Everything was completely soaked. But I could trust this camera to just keep going.

Contrasting Colors and Texture

I’m thinking of trying to post a photo (almost) every day here. Apologies to the facebook people I’m spamming with this. Hopefully a significant number of you will enjoy it.

I decided to look back through some of my old stuff today, which is always interesting. I’m happy to report that the percentage of my photos I actually like has gone up over the years. This is one of the first photos I took on a digital camera – it’s from my old Canon A60 point and shoot. Taken in Crowsnest Pass, AB.

The Light You Can’t See

I’ve been super busy lately with everything from web design work to McBain work to photography and product design work. Which is good, but makes it hard to get out shooting. A couple days ago, I was planning on going out for the day, but got so wrapped up in other things that I didn’t make it out until it was dark. Which was interesting.

I walked out into the darkness of the Beaverhill Lake plains. And it was really dark. New moon again (I seem to time those just right), but interesting for photography anyway. I really need to get a fast prime for night shooting. These are with my 17-40 f4.


Yes, those bright, out-of-focus dots are indeed stars. It was really hard to see to compose for this picture – I had a flashlight to help out which ruined my nightvision for the next ten minutes.