On Abraham Lake it’s easy to get sucked into the details—there’s so many fascinating ice patterns, but every once in a while I’d look up and see something like this.
Tag: photography
Inspiration
There are photographs everywhere—online, in coffee shops, in museums, on billboards. That makes it easy to be aware of what photographers and artists are doing. Artists are often inspiration to each other, and I have definitely experienced this in my interactions with artists in all kinds of mediums. Sometimes the inspiration is conscious and sometimes subconscious, but it happens all the time. I want to acknowledge some of the photographers who have inspired me, and this could be a long list. So I’ll mention them as they come up. I already mentioned Darwin Wiggett a few days ago. This photo was inspired by Jonathan Martin-DeMoor, which I guess means we have a cycle of inspiration going. That is awesome, and often when you get new and interesting work happening—when two artists spur each other on.
Just so it’s clear, I’m not talking about copying. This also happens all the time, and I’m not a fan. This is one thing I was worried about going out to Abraham Lake after seeing photos of it. You actually have to work at avoiding taking the same picture as everyone else. Or maybe you have to take it to get past it, I’m not sure yet. But I am never happy to have the same composition I’ve seen before, even if the light or the weather is different. I’m a creative person, and I want to interact with the landscape myself, not just see it through someone else’s eyes.
Sometimes I want to go to the same places I’ve seen photographed when the area looks interesting, but I’m never interested in duplicating someone else’s work. That is how the landscape spoke to them, not me. I want my photography to share my personality.
The X Composition
Cracked Ice
The ice at Preacher’s Point was full of small cracks – I’m guessing because it was melting – and these caught the light wonderfully. This is a top-down view of similar cracks to the ones you saw in an edge view a few days ago.
Cracked Ice Patterns
Icy Cross Section
GH1 Thoughts and a Photo
For this trip I tried out an interesting new (well, actually almost 2 years old) camera. Panasonic’s GH1 is actually a very capable camera. In good light the image quality is very close to my Canon 5D (mark I – more than 5 years old, but with a larger sensor). The battery lasts a very long time (I lost 1 tick on the battery meter on a 5 hour hike in -25 weather while taking 332 photos). I had problems with my 5d battery dying, although, to be fair I have an old third party battery for my Canon. The 100-300 lens for the GH1 is a very sharp lens with good image stabilization. For a small light telephoto setup, it is great.
The one area where is fails completely is at night. The previous night photo I took with my 5d turned out pretty well, while it was impossible to get anything with the panasonic. I might have been able to get something if I had a lens for it with a focus distance indicator, but with the 14-140 lens there is no way to focus a night shot. The screen was completely black, and of course autofocus would not work on any camera. The photos are also much more grainy than my 5d when long exposures are used.
Here’s one area where the GH1 does better than anything else around – telephoto (at a reasonable cost and weight). Flowing water and ice in Johnston Canyon. Taken with a 600mm equivalent lens.
Opening Doors & What Might Emerge
In my photography I often attempt to capture a sense of the peace that comes in solitude and darkness. But sometimes I want to push beyond what is there into a world of the fantastic where stories lurk just around the corner. These stories are at the edge of our reality, flitting through our collective dreams.
Messy Photos
With a design background, I tend to be very line conscious in my compositions. Visual weight, positive and negative space, leading lines, rhythm – these are my photographic language. I like clear focus and simplicity. But sometimes it’s interesting to try another language. Every once in a while I’ve taken photos that come from a different place. They bypass my need for clear focus and, while still often being recognizable, are a mess of line and color almost in the vein of abstract impressionism. Here are a few that I think have worked over the last couple of years.